Sexuality has been overestimated, underestimated, displaced and worshiped throughout human history. Its work, magical like nature’s call, remains a mystery despite all the research. The progressive parts of Western society have just come to terms with homosexual normalcy, pushing new varieties of identity into focus.
Transgender individuals are those whose sexual identity is at odds with their gender. It has been a side issue until now, often marginalized, often generalized pathologically, and fodder for gruesome novels — “Silence of the Lambs.”
Now those who seek self-determination over their own gender have a role model whose prominence and special features make this minority issue open for the largest possible discussion. Caitlyn Jenner was born in 1949 as Bruce Jenner, won the 1976 gold medal in the decathlon, is a former racing driver, and now lives as a woman after a phase of hormonal treatment and cosmetic surgery. In the upcoming issue of Vanity Fair, the trans woman — we need to get accustomed to such terms — graces the cover and is directed by the most important photographer of our time, Annie Leibovitz.
Vanity Fair as Mass Communication
For tens of thousands of individuals whose perceived gender identity is in conflict with the gender role ascribed to them, the images reflect the faraway beauty of pride, and the risk required to take such a public step.
Vanity Fair has a tradition of being a means of mass communication for social emancipation movements seeking recognition and respect, whether regarding the struggles of women, homosexuals, people of color, or other minorities. Even against this backdrop, the images of Caitlyn Jenner are challenging.
Still, it is clear that Western free societies are even open to minorities who are little understood. Of course not instantly, but this is a start. Especially exciting is the picture of a supposed man’s automobile, bar none, a Porsche 911 GT3 RS. Now a trans woman is driving one. That’s a good thing. It’s a symbol of freedom. Everyone can live as he wants.
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