The Man Who Did Not Prevail

Published in ABC.es
(Spain) on 26 June 2009
by Pablo Martinez Pita (link to originallink to original)
Translated from by Joe Locatelli. Edited by Jessica Boesl.
Michael Jackson was to pop what Obama is to politics. No other African American man had gone so far. African Americans revolutionized twentieth century music, but those who sold millions of records were the people that emulated them, like Elvis Presley, The Beatles or the Rolling Stones. Because of this, he was always a source of pride for his race, although for the rest of the world it is difficult to comprehend how this could occur with a person that renounced the color of his skin.

In any case, everyone was there, moved by the surreal career of a broken toy, a trajectory for which any amateur in psychoanalysis rapidly found an easy explanation in the ease with which his father took out his belt and taught the Jackson Five the basics of sacrifice that the artistic world demands.

The price was much too high, and, perhaps, he paid it for the rest of his life. From the time he left his brothers, everything was marvelous and he achieved stratospheric sales figures. The 80s were a glorious decade for him, even while his nose gradually became thinner and his hair straighter.

All the scandals he had been involved in were unable to erase his legacy, and even seemed to strengthen it. In this industry, however, the only certainty is that a similar phenomenon will never be repeated.


Michael Jackson fue para el pop lo que Obama para la política. Ningún hombre de color había llegado tan lejos. Ellos habían revolucionado la música del siglo XX, pero los que de verdad vendían millones de discos eran los que les copiaban, como Elvis Presley, los primeros Beatles o los Rolling Stones. Por eso siempre fue un orgullo para los de su raza, aunque para el resto del mundo resultara incomprensible que esto ocurriera con una persona que renegaba del color de su piel.
En cualquier caso, todos asistían conmocionados a la surrealista carrera de un juguete roto. Una trayectoria que cualquier aficionado al psicoanálisis encontraría rápida explicación en la facilidd que tenía su padre para sacar el cinturón y enseñar a los Jackson Five las bases del sacrificio que exige el mundo artístico.
Un precio demasiado alto y que quizás estuvo pagando el resto de su vida. Y eso que desde que dejó a sus hermanos todo fue de maravilla, alcanzando unas cifras de ventas estratosféricas. Los 80 fue su década gloriosa, mientras su nariz se volvía cada vez más fina y su pelo más lacio.
Todos los escándalos que ha protagonizado después no han podido borrar su legado, y eso que parecía esforzarse en ello. Tal y como está la industria, además, lo único seguro es que nunca volverá a repetirse un fenómeno semejante.
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