The Tragic Marathon's Sprinting Heroes

Published in Diário de Notícias
(Portugal) on 17 April 2013
by Ferreira Fernandes (link to originallink to original)
Translated from by Nuno Rosalino. Edited by Gillian Palmer.
Appropriating the only cowboy not its own, the United States shoots faster than its own shadow — just like Lucky Luke. When said shadow is made of explosions, it shoots heroes before the dust cloud even settles. It’s disturbing to see good American newspapers on a constant lookout for the instant heroes to feed the next Hollywood hit. After the saga of the New York firemen, we’ll have the Boston marathoners, or the marathon responders — the tourniquet-making man in the cowboy hat who was in much demand for interviews alongside the bloodied American flag — to give the media an endless stream where they can sate their unquenchable thirst. One of the man’s sons was killed in Iraq, the other committed suicide and the man himself tried to self-immolate; it’s the former American football player who was immortalized in a picture where he is shown carrying a woman to an ambulance; it’s the “icon” — that’s what they’re already calling him — the 78-year-old marathon runner that tripped with the blast of the first bomb …

These people should be thought of as what they are: first-hand witnesses of a tragedy. To dramatize a tragedy with heroes is not to understand the dimensions of the event. And the larger issue is how simple it is to terrorize: two pressure cookers, nails, gunpowder and a fuse in the right spot, and it makes the news all over the world. This being the case, it would be prudent not to go rushing in search for heroes. It just might put ideas into the heads of lunatics.


Apropriando-se do único cowboy que não é seu, os Estados Unidos, tal como Lucky Luke, disparam mais rápido que a sua própria sombra. Sendo a sombra feita de explosões, eles disparam heróis ainda antes da nuvem de pó pousar. Incomoda ver os bons jornais americanos à cata dos heróis instantâneos que irão alimentar os próximos sucessos de Hollywood. Depois das sagas de bombeiros nova-iorquinos, vamos ter os maratonistas, ou assistentes da maratona, bostonianos. É o homem de chapéu de cowboy que fez garrotes e foi muito solicitado para entrevistas com a bandeira americana ensanguentada - e que veio a revelar-se um manancial para o sorvedouro dos jornais (teve um filho morto no Iraque, teve outro que se suicidou e ele próprio tentou imolar-se pelo fogo). É o antigo jogador da equipa de futebol americano que se imortalizou numa foto levando uma mulher ao colo até à ambulância. É o "ícone" (é assim que já lhe chamam), o velhinho maratonista, 78 anos, que tropeçou com o sopro da primeira bomba... Gente que devia ser considerada o que é (e que já é enorme): estavam no lugar de uma tragédia. Dramatizar uma tragédia com heróis é não entender a dimensão da coisa. E a coisa maior é a simplicidade para cometer o horror: duas panelas de pressão, pregos, pólvora preta, um relógio de ignição, no sítio certo, e é notícia em todo o Mundo. Sendo assim, seria mais prudente não precipitar a procura de heróis. Dá ideias a doidos.
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