Trump Runs From Hardship

Published in Nishi Nippon Shimbun
(Japan) on 7 June 2018
by Nishi Nippon Shimbun senior editor (link to originallink to original)
Translated from by Fatuma Muhamed. Edited by Alen Amini.

 

 

President Richard Nixon was elected on the promise of ending the Vietnam War and bringing “peace with honor.” However, after his inauguration, Nixon found himself mired in anti-war protests advancing on the White House. Herbert G. Klein, the president's aide at the time, recalled the waves of people as nothing short of a revolution. After watching a certain film, Nixon regained his spirits.

That film was “Patton,” released in 1970, which tells the heroic story of Gen. George S. Patton. In the film, Patton reprimands a meek soldier in a field hospital, criticizes the way he, Patton, is depicted in the newspapers like a tyrant, and ultimately wins a decisive battle in Germany. Nixon watched the nearly three-hour epic twice in the White House projection room, and once at his villa, according to his projection technician at the time.

Some say Nixon made the decision to expand the Vietnam War by invading Cambodia because Patton reinvigorated him. Nixon himself denied the claim, but he allegedly lauded Patton as an example of good leadership at least 30 times in front of Klein and others.

Nixon was not the only U.S. president who enjoyed Hollywood films. The first film that President John F. Kennedy and his wife Jacqueline watched in the White House was “The Misfits” (1961), starring his alleged mistress, Marilyn Monroe. During the height of the Cuban Missile Crisis, he sought comfort in “Roman Holiday” (1953), starring Audrey Hepburn.

President Ronald Reagan, himself a former actor, watched “The Day After” (1983), a television film that depicted the aftermath of nuclear war, and after viewing it wrote in his diary, “It’s very effective & left me greatly depressed.“ The movie brought the reality of nuclear war to America's living rooms, and in terms of viewers, is one of the highest rated TV films in history. As film director Oliver Stone points out, it very well may have been one source of inspiration for Reagan's Strategic Defense Initiative, known as “Star Wars.”

And now, President Donald Trump. In his youth, he was enchanted by “A Fistful of Dollars” (1967), the spaghetti Western starring Clint Eastwood, and would practice a grizzled expression in the mirror imitating the film's tough protagonist. Indeed, you can see Trump's imitation of the gunman even now in his photos.

How about that? The president of the United States, commander of the strongest military force in the world, is not only obviously a child, but just like an ordinary person, he, too, seeks solace and inspiration in the stories of the silver screen. Or perhaps he is lost in the sensation that he is a hero. But powerful people are not necessarily Superman, and democracy requires checks and balances.

*Editor’s note: The author of this article is a senior editor at Nishi Nippon Shimbun whose name could not be readily translated into English.


 ベトナム戦争からの「名誉ある撤退」を掲げて当選したはずのニクソン米大統領だった。しかし、就任後は撤退どころか泥沼にはまり、ホワイトハウスに押し寄せる反戦デモに困惑した。そばにいた補佐官のクライン氏が後に「あれは革命だった」と述懐するほどの人の波。ニクソン氏はある映画を見て、なえそうな心を鼓舞した。

 1970年公開の「パットン大戦車軍団」である。第2次大戦の猛将パットンが病院に収容された兵士の弱気をなじるなど、暴君さながらの振る舞いで新聞の批判を浴びながらも、ドイツ軍との戦いには勝つ物語だ。ニクソン氏は3時間近いこの大作をホワイトハウスの映写室で2回、別荘で1回見たと、大統領付の映写技師が記録している。

 ニクソン氏がベトナム戦争をカンボジアに拡大する決断をしたのは、この作品が気持ちを奮い立たせたからという説がある。当人はこれを否定しているが、少なくともクライン氏らの前では「リーダーシップの良い見本だと、30回は話題にしていた」という。

 歴代大統領はハリウッド作品を好んで見た。ケネディ氏がホワイトハウスの映写室でジャクリーン夫人と初めて一緒に見たのは、後に恋愛関係をうわさされるマリリン・モンロー主演の「荒馬と女」だったし、キューバ危機のさなかに時間を割いて心を癒やしたのは、大好きなオードリー・ヘプバーン主演の「ローマの休日」だった。

 俳優出身のレーガン大統領は1983年、核戦争を描いたテレビ映画「ザ・デイ・アフター」を見て、日記に「非常に落ち込んだ」と書いている。この作品は米国が直接、核攻撃される悪夢を表現して茶の間を震え上がらせ、46%もの視聴率を取ったが、レーガン氏の戦略防衛構想(スター・ウォーズ計画)を後押しすることにもつながった。映画監督のオリバー・ストーン氏が指摘している。

 さてトランプ大統領。若いころはクリント・イーストウッド主演のマカロニ・ウエスタン「荒野の用心棒」にしびれ、主人公の渋い男ぶりにあやかるべく、鏡の前で目を細めて苦み走る表情を何度も練習した。そう、トランプ氏がツイッターに出すあの顔写真は、かのガンマンのまねを今もやっているわけだ。

 いかがであろう。世界一の軍事力を握る米国の大統領もまた人の子なのは当然だが、その心は庶民と同じく、銀幕に癒やしを求め、鼓舞され、あるいはヒーロー気分に浸っているという話。権力者は超人にあらず。民主主義のチェックは必要なのである。
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