A Black Man with a Hood; a White Man with a Gun

Published in El Pais
(Spain) on 27 March 2012
by Javier Valenzuela (link to originallink to original)
Translated from by Brandee Bilotta. Edited by Adam Talkington.
Chester Himes used to say that if you were a young, black male in the United States, the best thing you could do when a white man directed words at you was to stay quieter than a lamppost and look at him as if you were a lamb. A mere flicker, he added, authorized the white man to shoot you.

He said it half a century ago, and from what we know of the Trayvon Martin case, this advice continues to be valid, despite the fact that a biracial man named Obama lives in the White House.

Himes, a classic, and Walter Mosley, a contemporary, are both African-American authors of internationally known police novels. The plot of the former's work takes place in Harlem (New York), and that of the latter in Los Angeles.

The grandparents, great-grandparents and great-great-grandparents of contemporary African-Americans lived in fear of being lynched. Today, black mothers live in fear that something tragic will happen to their sons, something like what happened with Trayvon Martin, as told by Avis Jones-DeWeewer in her blog in The Huffington Post – “The Black Mother’s Burden.”

In the early evening this past Feb. 26, Trayvon Martin, a 17-year-old student, was walking down a street in Stanford, Fla. after buying tea and candy. It was raining and he had put on the hood of his sweatshirt. He was going to his girlfriend’s house.

George Zimmerman, a 28-year-old white man of Latin-American descent, fixed his gaze on him. As the local laws permit, he became a voluntary vigilante for his neighborhood. He patrolled aboard his vehicle and was armed with a 9 mm caliber pistol.

Zimmerman called 911 and informed the local police that he had detected a “suspicious person” that was covered in a hood and had something in his hand (it was a cell phone). The agent told him not to do anything and to await the arrival of a patrol car.

When that car arrived, the kid was dead. Zimmerman had shot him.

Trayvon Martin was unarmed. His girlfriend heard his last words. He was talking to her by cell phone when the vigilante began to follow him in his car. The kid told his girlfriend that there was a guy following him.

Zimmerman was not slow in being set free without any type of charges. The local police accepted that he had acted in “self defense.” He was applied to a law, proposed by Governor Bush, that has governed Florida since 2006. Called “Stand Your Ground” and promoted throughout the country by the National Rifle Association, this law concedes the benefit of the doubt to the person that employs self-defense to justify homicide.

Stand Your Ground, which rules in another dozen U.S states, is an expansion of the traditional "Castle Doctrine," which grants people the right to defend their person, as well as their home, by any method within reach. Currently, application of this law is extended to the neighborhood where one lives. In other words, if someone has the impression that they are in danger, they have the right to take arms and take down the suspect.

The Trayvon Martin case caused great excitement in the Unites States. Obama has said: “If I had a son, he would look like Trayvon.”

Last week, the Federal Justice Department decided to open its own investigation after half a million North Americans signed an online petition so that the homicide did not go unpunished. Zimmerman followed the kid even after 911 told him not to do anything, and shot him because he was a black male who was walking with a hood through a primarily white neighborhood.

“All unorganized violence is like a blind man with a pistol,” wrote Chester Himes in his preface to the novel, “Hot Day Hot Night” (translated in Spain as “A Blind Man with a Pistol”). Feverish, syncopated and violent, this work, as with the majority of Himes’, has African-American detectives, Harlem Sepulturero Jones and Ataúd Johnson, as protagonists. In his prologue to “Run Man Run,” another of Himes’ novels published by Bruguera at the end of the 1970s, Juan Carlos Martini wrote: “The will and whim of the white man are the law. … The black man does not seem to have any solution more than a sad integration and an indiscriminate acceptance of arbitrariness that exercise control against him. Any other, even if expressed in the most humble and fearful form imaginable, could mean immediate death.”


Chester Himes solía decir que si eras joven, varón y negro en Estados Unidos, lo mejor que podías hacer cuando un blanco te dirigía la palabra era quedarte más quieto que una farola y mirarle como si fueras un borrego. El mero parpadeo, añadía, autorizaba al blanco a pegarte un tiro.
Lo decía hace medio siglo y, por lo que sabemos del caso Trayvon Martin, el consejo sigue siendo válido, por mucho que en la Casa Blanca viva un mulato llamado Obama.
Himes, un clásico, y Walter Mosley, un contemporáneo, son los dos autores afroamericanos de novela policiaca más conocidos internacionalmente. Las tramas del primero transcurren en Harlem (Nueva York), las del segundo en Los Ángeles.
Los abuelos, bisabuelos y tatarabuelos de los afroamericanos actuales vivían con el miedo a ser linchados. Hoy las madres negras viven con el miedo a que a sus hijos varones les pase algo trágico, algo como lo que le pasó a Trayvon Martin, según cuenta Avis Jones-DeWeewer en su blog en The Huffington Post (The Black Mother's Burden).
A primeras horas de la noche del pasado 26 de febrero, Trayvon Martin, un estudiante de 17 años, caminaba por una calle de Stanford (Florida), tras haber comprado un te y chucherías. Llovía y llevaba puesto el capuchón de su sudadera. Iba a casa de su novia.
George Zimmerman, un blanco de 28 años de ascendencia latinoamericana, se fijó en él. Tal como se lo permiten las leyes del lugar, hacía de vigilante voluntario de su barrio. Patrullaba a bordo de su vehículo y armado con una pistola del calibre 9 milímetros.
Zimmerman llamó al 911 e informó a la Policía local de que había detectado a un “sospechoso” que se cubría con una capucha y llevaba algo en la mano (era un móvil). El agente le dijo que no hiciera nada y esperara la llegada de un coche patrulla.
Cuando llegó ese coche, el chaval estaba muerto. Zimmerman le había disparado.
Trayvon Martin estaba desarmado. Su novia escuchó sus últimas palabras. Estaba hablando con ella por el móvil cuando el vigilante empezó a seguirle en su coche. El chaval le dijo a su novia que había un tipo que le estaba acosando.
Zimmerman no tardó en ser puesto en libertad sin ningún tipo de cargos. La Policía local aceptó que había actuado en “legítima defensa”. Le fue aplicada una ley que, a propuesta del gobernador Bush, rige en Florida desde 2006. Llamada Stand Your Ground y promovida en todo el pais por la National Rifle Association (NRA), esa ley concede el beneficio de la duda a la persona que esgrime la autodefensa para justificar un homicidio.
La Stand Your Ground, que rige en otra docena de Estados norteamericanos, es una ampliación de la tradicional Doctrina Castle (Castle Doctrine), que otorga a los particulares el derecho a defender tanto su persona como su hogar por cualquier medio a su alcance. Ese derecho queda ahora ampliado al barrio donde uno habita. O sea, si alguien tiene la impresión de que está en peligro, tiene derecho a sacar un arma y abatir al sospechoso.
El caso Trayvon Martin suscita una inmensa emoción en Estados Unidos. Obama ha dicho: “Si yo tuviera un hijo, se parecería a Trayvon”.
La semana pasada, el departamento federal de Justicia decidió abrir su propia investigación después de que más de medio millón de norteamericanos firmaran una petición online para que el homicida no quede impune. Zimmerman persiguió al chaval pese a que el 911 le dijo que no lo hiciera y terminó disparándole porque era un joven negro que caminaba encapuchado por un barrio mayoritariamente blanco.
“Toda violencia desorganizada es como un ciego con pistola”, escribió Chester Himes en su prefacio a la novela Hot day, hot night (traducida en España como Un ciego con pistola, Bruguera, 1978). Febril, sincopada, violenta, esa obra, como la mayoría de las de Himes, está protagonizada por los detectives afroamericanos de Harlem Sepulturero Jones y Ataúd Johnson. En su prólogo a Corre, hombre (Run, man, run), otra de las novelas de Himes publicadas por Bruguera a finales de los años setenta, Juan Carlos Martini escribió: “La voluntad y el capricho del blanco son la ley (…). El hombre negro no parece tener más remedio que una triste integración y una indiscriminada aceptación de la arbitrariedad que se ejerce contra él. Lo contrario, aunque se exprese de la forma más humilde y temerosa que sea imaginable, puede significar, de inmediato, la muerte”.
This post appeared on the front page as a direct link to the original article with the above link .

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