Can't the World Handle Beyoncé's Sexiness?

Published in The Beijing News
(China) on 8 February 2013
by Zhu Bai (link to originallink to original)
Translated from by Ann Kubusek. Edited by Gillian Palmer  .
This year Beyoncé has just exploded! She performed at the presidential inauguration, the Super Bowl halftime show, and the NBA All-Star Game. If she were to perform in the Chinese Spring Festival and the Japanese Red and White Song competition, other female artists would surely lose it.

Last year Madonna announced, “I have to put on the greatest show on earth during the greatest show on earth.” The “greatest show” to which she was referring was the Super Bowl. Every year, on the last Sunday in January or the first Sunday in February, the National Football League has its annual championship game. Of course, it is much more than just a sports competition; it is a huge fashion entertainment party. You could say it is comparable to the Chinese Spring Festival.

Within the last couple of years the Super Bowl has transformed itself into a stunt, an exaggeration, a cross-disciplinary, off the scale competition. From the frivolous exposure of Janet Jackson’s right breast in front of millions in 2004, to the accidental pornographic “implantation” a couple of years back, to Madonna’s cheerleading squad of transformed goddesses, to Beyoncé’s comeback this year, the Super Bowl has undeniably become the stage for the famously successful to break through and transform themselves into living legends.

The stylists exquisitely displayed Beyoncé’s signature chest and beautiful legs. Her arrival on stage was like an emerging goddess; the audience could not believe what was unfolding before their eyes, and when she started to sing under the dazzling lights the world belonged to her. Both the audience watching her on TV and the audience watching her live needed an explosive moment and Beyoncé did not hesitate to deliver.

But of course there were varying opinions on her performance. For example, an American tabloid said quite the opposite. It claimed her overly sexual appearance was damaging to young girls and boys. Can’t the people of the world handle her sexiness? That is simply ridiculous. That angle only proves how Beyoncé provided her own interpretation at “the greatest show.” In 2007 Beyoncé posed for the cover of Sports Illustrated’s swimsuit edition. That sexy image, like a young quail, accompanied the growth of a generation. Afterward her career took a downturn. If her sexiness is still apparent today, that is a real miracle.

Actually, this is not Beyoncé’s first appearance as a model goddess; this was just her comeback. Her “Heaven Girl” legend was completed 13 years ago. In the last couple of years some people have said that her stardom is diminishing and her abilities are gradually being covered up by her husband, Jay-Z. This is not the case; it is just that these high society signature couples have learned a type of low-key management of their fame and fortune. This is an American tradition, to always be indulging in debauchery, to always be on the forefront of fashion, to always be the symbol of wealth and fame, but not in an absolute sense. There are some people who wish to walk away from it all and do something for themselves.

What is striking is that her every reappearance is amazing. For instance, just when we have forgotten about Destiny’s Child, there they are again on the stage, using humanity’s creative mind to form perfection, a full-blooded resurrection. That is what you call a jaw dropping moment: All the fear, contempt and discouragement falling into oblivion and then, from the dusty corners of your memory, in an instant, recovered. Even though Beyoncé’s extremely transparent skirt and low-cut little leather top were not that fresh, she still made her audience experience the wonder that is the “world’s greatest show.” After the show backstage, Jay-Z enveloped Beyoncé in an embrace, which the media explained as a congratulatory embrace for a successful comeback. They are what you call a universal legend. Beyoncé has proved to the world that she is still here, and she will always have the strength to come back.


地球人招架不住碧昂斯的性感?

2013-02-08 02:30:39 新京报

  碧昂斯今年爆发啦!总统就职典礼、超级碗中场秀、NBA全明星赛表演嘉宾被她包圆。这不是大满贯艺人吗?明年再上中国春晚和日本红白歌会比划比划,其他女艺人要抓狂了。

  去年麦当娜曾喊出过:“要在地球最棒的Show上面做出最伟大的Show。”她说的“最伟大Show”指的就是“超级碗”(Super Bowl)。这个每年1月最后一个或2月第一个星期天举行的美国国家美式足球联盟(也称为国家橄榄球联盟)的年度冠军赛,当然不仅仅是一场体育盛宴,更是美国人的一个年度时尚娱乐大Party。算下来,应该不会小于我们的春晚。

  而超级碗这些年来已经成了一个噱头、夸张、跨界、出格、争议之所。从2004年珍妮·杰克逊在亿万观众面前轻佻露出右胸,到几年前的意外色情片“植入”,从去年麦当娜女神变拉拉队,到今年又瞬间成了碧昂斯重装回归的见证地,你得承认超级碗的舞台本来就是为那些功成名就且需要突破完成自身蜕变的超级艺术家而搭建的。

  碧昂斯招牌的胸和极美的大腿,被设计师精巧地全部展现了出来,她的出场就像是女神降临,众目睽睽中包含不信任和期待。不过,当她在炫目灯光和恢弘舞台映衬下开唱时,地球时间就已经属于她了。在现场美国人和全世界电视机前观众最需要爆发的一刻,碧昂斯没含糊地给了人们重重一击。

  可仍然有不同声音,比如美国小报记者唱反调地说,碧昂斯过度性感对青少年是有害的……地球人对这点性感招架不住了吗?这简直是个笑话,它只能从侧面再次论证碧昂斯的确对“伟大的Show”做出了自己的诠释。六年前碧昂斯曾登上美国《体育画报》2007泳装特辑封面,那个雏鹌鹑般的性感造型伴随一代人成长,而低迷或者消沉之后,你还能发现性感之美仍在她身上,这才是真正的一桩奇迹。

  其实这种女神范儿对于碧昂斯来说并非第一次,她只不过是一次回归,“天女封后”的传奇已是十年前就完成的了。有人说碧昂斯近几年偃旗息鼓星光暗淡,逐渐被其老公JAY-Z盖住锋芒。其实也不是,这对美国上流社会的金招牌夫妇已经学会了一种低调处理自己名气和财富的方式。这倒很像是美国的一个传统,永远的灯红酒绿、永远的时尚前沿、永远的名利场头牌,并非一件绝对意义上的好事。有些人宁愿选择退出和埋起头做点自己想做的。

  真正的惊艳从来都是属于辉煌再现的,譬如当你已经忘记“真命天女”有几个人组成的时候,她们又重新站在舞台上,用人类能想得到的极致形式,满血复活。这才是让人张大嘴巴的一刻,不屑、担心、气馁、忘却,被灰尘封住的凝固记忆瞬间复燃。尽管碧昂斯的镂空超级短裤和露胸小皮衣并非多么新鲜,可是在这一刻人们还是感受到了真正“伟大的Show”。就此,碧昂斯的头不用再低着了,后台她跟老公JAY-Z的拥抱也被媒体解读成“祝贺妻子演出成功,扬眉吐气了”,他们才是这个星球上的传奇。她证明了自己依然存在,并随时都有杀回来的实力。

  □朱白(广州 媒体人)
This post appeared on the front page as a direct link to the original article with the above link .

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1 COMMENT

  1. Get on a bus in any city on earth, take a walk around town, whether you’re in Shanghai or Mexico City Khartoum or anywhere else, and you’ll see a whole army of women just as beautiful, just as capable of taking your breath away, just as awesomely gorgeous as Beyonce.