“Avatar” Reveals U.S. Thinking on War

Published in Huanqiu
(China) on 21 February 2010
by Dai Xu (link to originallink to original)
Translated from by Brian Tawney. Edited by Alex Brewer.
“Avatar” has become popular around the world, even sweeping through the movie market in mainland China. It would not be an exaggeration to say that one could draw simultaneous comparisons with “Avatar” in nearly every domain. There are some who see it as the meeting of history’s greatest demolition force and history’s greatest obstructionists. There are others who, looking at the present military predicament of the U.S., draw the conclusion that it represents the war on terror. If one pursues these passing associations to their source, then it also becomes a metaphor for the principle that motivates all of the world’s wars and for the outcome of those wars.

The author’s strongest feeling, after watching this hair-raising film, was a sense of awe at the imaginative power of the American people. No one controls American thought, not in the realm of scientific invention, nor even in the worlds of literature and sports. No one controls American thought from within the country, and in the end there is no one in the outside world who can control American actions. A part of U.S. history has always been that of the endlessly changing frontier. Since independence in 1776, the frontiers of American military strategy have included these: the Original Frontier — the former 13 colonies; the New Frontier — the later 50 states; the Overseas Frontier — becoming the leader of the West in the wake of the two World Wars. Now the High Frontier of outer space has become part of the U.S. national strategy, and part of its strategy toward the universe. This High Frontier extends to infinity.

This is how the U.S. has become the only country in the world that has no borders. “Avatar” represents the emerging reality and latent possibility of an America that has lost its borders by expanding its new frontiers. The United States of the present day is not simply a country in the Western Hemisphere, but rather an intercontinental nation consisting of hundreds of global military bases and overseas territories. America already controls the world’s international airspace, the high seas, orbital space and even cyberspace. On the basis of these formidable capabilities and powers, as well as financial superiority and other advantages, the U.S. is in the process of building a global empire.

As a member of the military, I paid close attention to the ways in which “Avatar” unintentionally reveals American thinking on war. Of course, the U.S. already uses aerial warfare and cybernetic surface assaults as a fundamental part of its methodology of war. They envision the main invasion force on Pandora as columns of futuristic attack helicopters and aerial bombers, while in action on the surface they make use of a kind of robot that unites man and machine. This is in complete accord with America’s most recent global strategies and with the vision of making war by means of cybernetic machines.

After the U.S. military unified and established a space command in 2006, they went on in 2009 to publicly establish a command for internet warfare. Information technology and space technology increasingly overlap and intersect, and the new kind of military that will grow out of the union of these two types of technological power will come to dominate warfare in the next ten years. Current conventional land, sea and air forces will increasingly be relegated to the fringe. As in the past, the nation that will be the first to manifest these characteristics will be the United States.

Americans revere violence. Whether invading or counter-attacking, what they rely on is not the teaching of morality, but rather competition through naked strength. The background of the whole movie is a forest, the imagery that testifies to America’s belief in the law of the jungle.

When things go to an extreme, they must reverse course. Freedom of thought leads to unrestrained action and consequently to a craving for unilateral domination that cannot be contained. This kind of completely unrestricted state of affairs has put America, a huge and populous country, on a path that endangers all of humanity.

America, a traditionally peaceful nation, has undergone large scale social changes and transformations that are difficult to imagine, becoming fundamentally a nation like Sparta that is eternally in a state of war. It would be a mistake to believe that this new world order was nothing more than a scheme drawn up under the leadership of the Bush clan and its henchmen. It is commonly held that the mechanism of America’s supremacy was shaped at the end of the 19th century when the U.S. carried out its first foray into empire, conquering the Philippines, Cuba and Puerto Rico through military action. From an economic standpoint, America has already become a unified military-industrial system, which can only develop and survive by making war. This is why “Avatar” could only appear in the U.S. It is a product of the whole of American cultural and traditional ethnic thinking. America, which has always acted as the representative of the Western way of life, already controls the greater part of the natural resources of the world, but they still look to the rest of the universe in search of more natural resources. All American plans to explore outer space share this motivation.

In reality, if one looks at what has happened in the year since Obama rose to power, the U.S. still adheres to the mentality of plunder and profit, and continues superciliously to follow the path of war. Analyzing it from this perspective, although the movie “Avatar” is a masterpiece of fiction and technology, it is certainly not imaginary as an international political reality.


阿凡达无意中透露的美国战争思维

戴 旭

《阿凡达》风靡全球,也席卷中国大陆电影市场。毫不夸张地说,《阿凡达》足以在各个领域同时激发联想的立意。有人解读出那是“史上最大的强拆者遇到史上最大的钉子户”,也有人从美国目前的军事困境解读出反恐战争的结局。如果浮想联翩,追根溯源,那也是地球上一切战争发起动因和战争结局的规律性暗喻。

笔者看完这部惊心动魄的影片之后最大的感受,是惊叹美国人的想象力。没有谁控制美国人的思想,举凡科学界的发明乃至文学界、体育界。美国国内也没有人控制思想,最终又成为世界上没有谁能控制美国的行动。一部美国的历史,就是边疆不断变化的历史。从1776年独立以来,出现在美国国家层面的边疆战略就有:老边疆---以前的13个州;新边疆---后来的50个州;外边疆---两次大战后成为西方盟主。现在,高边疆又成为美国的国家战略和宇宙战略。而高边疆是通向无限的起点。


  美国就这样成为世界上唯一一个没有边疆的国家。《阿凡达》其实就是在展现美国在扩展新边疆中失去边疆的现实和潜能。今日的美国已经不是一个美洲国家,而是一个由数百个全球军事基地和海外领地组成的跨洲际国家。美国早就控制了全球的公共天空、公共海洋、太空和网络空间。依据这样超级强大的行动能力,以及金融和其他优势,美国正在建立世界帝国。


  作为军人,我非常关注《阿凡达》中无意中透露出的美国战争思维。显然,美国已经把空天一体战和机器人地面突击当成最基本的战争样式。它们把入侵潘多拉星球的主力,设想成新式武装直升机和空天轰炸机编队;却在地面行动中,编入人机合一的机器人。这和美国最新的一小时打遍全球的先行战略,和让机器人大批参战的设想是完全一致的。


  在2006年合并成立美军太空司令部之后,美军又在2009年公开成立了网络战司令部。随着信息技术和太空技术的日益交叉和融合,这两种新型技术力量孕育的崭新军种,将在十年后主宰战争;现有的传统的陆海空军,将越来越居于边缘地位。像以往一样,最早昭示这一特点的,一定是美国。


  美国人崇尚暴力,无论是入侵者,还是反击者,靠的都不是道德说教,而是赤裸裸的力量较量。全片以森林为主背景,正好形象地证明,美国是信奉丛林法则的。


  物极必反。思想的自由,带来行动的奔放,又连带地带来不可遏止的独霸欲望。这种完全不受约束的状态,作为一个巨大的国家和众多的人口,让美国走上正在威胁全人类的道路。


  传统上和平的美国,通过规模巨大、难以想象的社会改造、转型,已经从根本上变成一个处于永恒战争状态的斯巴达国家。如果认为新世界秩序仅仅是在布什家族及其党羽主导下制定的共和党的计划,那就错了。这是美国主导势力的机制性共识,它从19世纪末美国进行第一次帝国冒险,军事征服菲律宾、古巴和波多黎各时就已成形。从经济上说,美国已经是军工综合体。它必须通过战争才能发展,才能生存。所以,《阿凡达》只能出现在美国。这是整个美国文化和民族习惯性思维的产物。作为西方生活方式总代表的美国,已经控制了地球上的大部分资源,但它还在向宇宙探索更多的资源。美国的太空探险计划,无一不有着这样直接的动机。


  在现实中,从奥巴马上台一年后的表现看,美国还在循着一贯的攫取利益的思路,沿着既有的战争道路旁若无人地前行。从这个意义上说,《阿凡达》电影虽是虚拟技术的杰作,但并非虚构国际政治现实。▲(作者是空军上校。)
This post appeared on the front page as a direct link to the original article with the above link .

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