James Casebere’s Ideal Suburb

Published in Le Figaro
(France) on 24 February 2011
by Jean-Sébastien Stehli (link to originallink to original)
Translated from by Courtney Webster. Edited by Amy Wong.
The suburb is the heart of America, but its meaning is the exact opposite of what we would call a suburb. In America, the movement is made up of the heart of the cities to the suburb during Americans’ social progression. Each dreams of their home in the suburbs. In the television series “Friends,” don't Monica and Chandler finish by leaving New York?

In his series “House,” introduced by Daniel Templon, the American photographer James Casebere is interested in this fantasy of his compatriots. He invents a suburb that can be released as a Sam Mendes film.

In this work, the topic of which had been at the heart of the economic crisis of the last three years, James Casebere recreated an ideal suburb in Duchess County, a district north of New York, along the Hudson River. He created models of houses and photographed them as if he had been the demiurge at all hours of the day. Humans are absent in his images. There is only their dream of colored houses, placed on their well-maintained grass lawns. Beware of he who lets the grass grow. He would be prosecuted for daring to threaten the neighborhood’s property values.

This work is very cinematic. It falls within the category of Jeff Wall and Gregory Crewdson. But it could also be associated with Cindy Sherman or Richard Prince. James Casebere, who began by studying sculpture, made models for 30 years, with the most modest means possible. Architecture is one of his favorite themes. He had also recreated the bunker under the Reichstag and a factory where black slaves worked, work that was both poetic and disturbing. Like his peaceful homes of Dutchess County, where life seems to have stopped.


La banlieue est le cœur de l'Amérique, mais son sens est l'exact opposé de ce que nous appelons banlieue. En Amérique, le mouvement se fait du cœur des villes à la banlieue au fur et à mesure de la progression sociale des Américains. Chacun rêve de sa maison en banlieue. Dans la série Friends, Monica et Chandler ne finissent-ils pas par quitter New York?
Dans sa série House, présentée chez Daniel Templon, le photographe américain James Casebere s'intéresse à ce fantasme de ses compatriotes. Il invente une banlieue qui pourrait être sortie d'un film de Sam Mendes.

Dans ce travail sur un sujet qui a été au coeur de la crise économique de ces trois dernières années, James Casebere recréé une banlieue idéale dans Dutchess County, un district au nord de New York, le long de l'Hudson. Il créé des maquettes de maisons et les photographie comme s'il en était le démiurge, à toutes les heures de la journée. Les humains sont absents de ses images. Il ne reste que leur rêve de maisons colorées, posées sur leur tapis de gazon bien entretenu. Gare à celui qui laisserait l'herbe pousser. Il serait poursuivi pour oser menacer la valeur de l'immobilier de tout le quartier.

Ce travail est est très cinématographique. Il s'inscrit dans la famille de Jeff Wall et de Gregory Crewdson. Mais on pourrait tout aussi bien l'associer à Cindy Sherman ou Richard Prince. James Casebere, qui a commencé par étudier la sculpture, réalise des maquettes depuis 30 ans, avec des moyens les plus modestes possibles. L'architecture est un de ses thèmes favoris. Il a ainsi recréé le bunker sous le Reichstag ou bien une usine où travaillaient des esclaves noirs, travail à la fois très poétique et dérangeant. Comme ses maisons paisibles de Dutchess County, où la vie semble s'être arrêtée.
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