The Slaughter

Published in La Vanguardia
(Spain) on 12/15/2012
by Pilar Rahola (link to originallink to original)
Translated from by Sarah Booker. Edited by Eric Schallock.
There is no reason; all that remains is shadowy doubt, that which inhabits the dark corner of human malice.

The urgency of the story authorizes the team of 8 al día to take control. Everyone is trying to get the right information, and the number of the dead grimly escalates. “Two children have been killed in a school in Conneticut”, says a reporter, stopping computers. And the sound of clicking computer keyboards accelerates with the search of clues to what had happened. The program is about to start, and the news is its DNA, so the team goes to work to get the most accurate information. I see Joan Julibert assigning responsibilities, Marc Texidó multitasking his skills, computers, telephones, printers… We should know what had happened, two, three children… But then someone says there are more than five children, and then ten. Then, after checking with other news agencies, the number shoots into the horrific. There has been a slaughter, with the brutal burden of an enormous number of murdered children. And although it shows professionalism and fast emotionless work, the truth is that the whole world is shaken up. This type of brutal news, this massive and unjustified murder that brings news of children’s bodies from a faraway school, that insanity at the fingertips of some adults who kill for the sake of killing, whose one desire is to kill many. Who causes such death and emerges unscathed? And although the news will be impeccably shown on the program, and Josep Cuní will deliver it with the seriousness appropriate for the tragedy, we all know that there is some news that we never want to have to tell.

I try to think about it, with all the facts that are coming in. They say that the murderer is dead and that he was the father of a little boy; that there was a second adult who escaped; that there had been more than one hundred shots fired from assault rifles. They talk about an entire class that could have disappeared; words from the director of the school and the psychologist; they talk about 18 little massacred bodies… And despite being determined to find some sort of serene reflection that could possibly be useful for a story such as this, I find myself running again and again into the containment wall of irrationality. Not every question has an answer when horror comes knocking at the door, because death, sometimes, cannot be explained. Perhaps one could talk about the guns that abound in North American homes, about the violent culture that shakes our society, about this migrant and primal idea of self-defense, but all would be opportunistic and perhaps not entirely appropriate.

Because in reality, the absolute and immense majority of people do not go around shooting guns, nor do they view children as only objects. So it is illogical, and in the end all that is left is the shadowy doubt that inhabits the dark corner of human malice. And because of this, there exists the story, the information, the news, but an explanation still does not exist. One can only think about how these headlines keep coming only to end up leaving blood stains, and remember that the good dies when the bad decides to come out to play.


En la redacción de 8 al dia, las prisas se apoderan del equipo. Todos buscan la precisión de la información, y el número de muertos aumenta en una escalada tétrica. "Han matado a dos niños en una escuela de Connecticut", dice un periodista parando máquinas. Y el tecleo acelerado de los ordenadores da la pista del giro de los acontecimientos. El programa está a punto de empezar, y las noticias son su ADN, de manera que el equipo se pone a trabajar para conseguir el máximo de rigor informativo. Veo a Joan Julibert repartiendo responsabilidades, a Marc Texidó multiplicando sus capacidades, ordenador, teléfono, impresora... Debemos saber qué ha ocurrido, dos, tres niños... Pero entonces alguien dice que son más de cinco niños, y luego diez y después de repasar las agencias, el número se dispara hasta el horror. Ha sido una matanza, con la brutal sobrecarga de un número ingente de niños asesinados. Y aunque se respira profesionalidad y la celeridad del trabajo no da oxígeno a las emociones, lo cierto es que todo el mundo está conmocionado. Este tipo de noticias brutales, esa muerte masiva y gratuita que trae cadáveres de niños de una escuela lejana, esa locura en el dedo de unos adultos que matan por matar, con el único deseo de matar mucho, ¿quién le escribe a la muerte y sale indemne? Y aunque las noticias saldrán en el programa de manera impecable, y Josep Cuní las relatará con la seriedad que requiere la tragedia, todos sabemos que hay noticias que nunca quisiéramos contar.

Intento pensar en ello, con los datos que van llegando. Dicen que el asesino ha muerto y era padre de un niño; que hay un segundo adulto que ha huido; que han disparado más de cien veces con rifles de asalto; hablan de una clase entera que podría haber desaparecido; del director de la escuela, del psicólogo; hablan de 18 cuerpecitos masacrados... Y decidida a encontrar alguna reflexión serena y a ser posible útil sobre una noticia como esta, choco una y otra vez con el muro de contención de la irracionalidad. No todas las preguntas tienen respuesta, cuando el horror llama a la puerta, porque la muerte, a veces, no tiene quien la explique. Quizás podría hablar de las armas que abundan en las casas norteamericanas, de la cultura violenta que sacude nuestra sociedad, de esa peregrina y primaria idea del self-defense, pero todo sería oportunista y quizás poco oportuno.

Porque en realidad la absoluta e inmensa mayoría de la gente no va disparando por ahí, ni concibe la idea de que un niño puede ser un objetivo. Por eso, porque no hay razones de ningún tipo, al final sólo queda la duda negra, esa que habita en el rincón oscuro de la maldad humana. Y para eso existe el relato, la información, la noticia, pero no existe la explicación. Sólo contemplar cómo van llegando los titulares y se van tiñendo de sangre, y recordar que el bien muere cuando el mal sale de paseo.
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