The Origins of American Storytelling Prowess

Published in Huanqiu
(China) on 24 March 2016
by Qi Qian (link to originallink to original)
Translated from by Nathan Hsu. Edited by Graeme Stewart-Wilson.
The U.S. animated film "Zootopia" recently opened in theaters worldwide, garnering the approbation of international audiences in its retelling of the American dream via the trials and tribulations of a rabbit named Judy. But even as they are drawn in by the film's novel and engaging tale, many cinephiles are also subtly influenced by the values embedded in the film’s subtext, and some have lost themselves digging for any political allusions lurking therein.

Historically, Americans have been adept at imbuing entertaining theatrical narratives with certain ideas, and at expressing and disseminating those ideas through the recreational medium of film. With "Zootopia," the line is once more blurred between education and entertainment. The creators have wrapped thought within emotion and art, embedding certain themes in the minds of the audience and imparting a sense of realism to the story. Here, the United States' application of film, television and other forms of mass media to spread its core values is apparent; by accepting "Zootopia," the audience in some sense also tacitly accepts American beliefs. Accordingly, it is worth some rumination on our part as to whence this capacity for teaching through recreation has come.

One could say that the storytelling prowess of Americans is fostered from infancy, as in the process of socializing their children — whether among family or at school — they place enormous emphasis on the cultivation of creativity and imagination. Elementary school textbooks have considerable heft, and contain not only words but also an abundance of illustrations, as visualization through the use of images makes material more readily digestible for children. Every lesson includes points to ponder. What is the main theme of the passage? Which elements are used to expound upon this theme? What other possible conclusions to the story can you think of? What is your general assessment of the passage? Can you retell the story in your own words? How does it relate to your own aspirations? None of these questions are tied to a set response, but all require children to exercise their imaginations and creativity. Through such heuristic teaching methods, America's youth acquire both creativity and independence of thought.

Shaping a story that touches people's hearts requires the creator to not only have a vivid imagination, but also a strong analytical mind. The crafting of the plot reflects the creator's level of maturity, as well as insights into and thoughts regarding society, nature and human nature. A well-woven tale requires the mind of a philosopher, a scientist's comfort with reasoning and design, and an artist's methods of expression. China as yet lacks individuals capable of organically integrating thought and entertainment. And learning that skill is something best done as the Americans have always done it: from infancy.

The author is a visiting scholar at UCLA.


  近日来,美国动画片《疯狂动物城》在全球上映,这部借兔子朱迪的奋斗经历宣扬美国梦的电影得到世界观众青睐。不少影迷在为影片新奇和刺激的故事吸引的同时,也被影片暗含的价值观所影响,不断尝试探讨挖掘电影背后的政治隐喻。
  美国历来擅长将深刻的思考融入到一个娱乐化、戏剧化的故事中,通过电影这样一种娱乐形式来 表达和传播。在《疯狂动物城》中,教育性与娱乐性没有那么泾渭分明。创作者借用娱乐方式将思想掩藏在艺术那诱惑人心的情感之内,将这一思想锲入观众的心 灵,使观众不得不相信故事是真实的。观众在接受影像作品的同时潜移默化接受美国的价值观,这正是美国借助于电影、电视等大众媒体传播主流价值观的战略意义 所在。而值得我们深思的是,这种寓教于乐的能力从何而来。
  应该说,美国人讲故事技巧的培养来自于“人之初”,在孩子社会化过程中,从家庭到学校都非 常注重培养孩子的创造性和想象力。孩子的小学课本都是厚厚的,课文中除了文字还有很多插图,视觉化图像更容易被孩子接受。在每一篇课文中都有思考题,这篇 文章的主题是什么?通过几个线索来说明这个主题?你还有什么好的故事结尾吗?你对这篇文章的批判是什么?你可以做一个讲演吗?关于你的梦想?每一个问题都 没有标准答案,都需要孩子有想象力和创造性。孩子在这种启发式的教育中,养成独立精神和创新精神。
  打动人心的故事要求创作者有生动的想象力和强有力的分析思维,故事的设计体现了创作者的成熟度、洞察力以及对社会、自然和人心的思考。这需要有哲学家的思考、科学家的推理设计能力和艺术家的表达方式。中国还缺乏将思想和娱乐有机结合起来的创作者。而这种学习,是需要在“人之初”时就开始的。
(作者是美国加州大学洛杉矶分校访问学者)
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