War Is a Lyric Experience

Published in Estadão
(Brazil) on 1 October 2010
by Marcos Guterman (link to originallink to original)
Translated from by Aline de Campos Leite. Edited by Heidi Kaufmann.
The Associated Press obtained emails and military documents showing that American soldiers in Afghanistan posed for photos next to corpses and body parts in the style of the Abu Ghraib scandal. The material is held by the Army and was kept secret because the U.S. government fears the devastating effect it can have on the country's image. The photos are part of the evidence in a lawsuit against five U.S. soldiers accused of killing three Afghans "for sport."

The case reinforces the notion that the state of war is viewed by some soldiers as a drug that helps them find a place in the world. The theme was addressed in the award-winning film, “The Hurt Locker” (unfortunately translated as "War on Terror" in Brazil), in which the protagonist cannot live without the excitement of war. It is when facing risk that he feels at home. Those dead on the enemy side exist only as a part of this habitat — so [there is] nothing more logical [to a soldier] than letting oneself be photographed next to them as if they were hunted animals.

Michael Corgan, a professor of international relations at Boston University and a Vietnam veteran, says the photos are considered souvenirs: "They’re proof people are as tough as they say they are ... War is the one lyric experience in their lives — by comparison every [one] else is punching a time clock. They revel in it, and they collect memories of it."


A Associated Press obteve e-mails e documentos militares que revelam que soldados americanos no Afeganistão posaram para fotos ao lado de cadáveres e de pedaços de corpos, ao estilo do escândalo de Abu Ghraib. O material está em poder do Exército e foi mantido em sigilo porque o governo americano teme o efeito devastador que ele possa ter na imagem do país. As fotos integram as evidências do processo contra cinco soldados dos EUA acusados de matar três afegãos “por esporte”.
O caso aprofunda a sensação de que o estado de guerra é encarado por alguns soldados como um entorpecente, que os ajuda a encontrar um lugar no mundo. O tema foi abordado no premiado filme The Hurt Locker (lamentavelmente traduzido como “Guerra ao Terror” no Brasil), em que o protagonista não pode viver sem a excitação da guerra. É diante do risco que ele se sente em casa. Os mortos do lado inimigo não existem senão como parte desse habitat – logo, nada mais coerente do que deixar-se fotografar perto deles como se fossem animais abatidos.
Para Michael Corgan, professor de Relações Internacionais na Universidade de Boston e veterano do Vietnã, as fotos são como suvenires: “As imagens provam que eles são os durões que dizem que são. A guerra é uma experiência lírica em suas vidas – em comparação, tudo o mais é entediante. Eles se revelam na guerra e coletam lembranças dela”.
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